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Pseudo Block Signaling

By Ed Ives

Background

As a small boy at the end of WWII I was taken to see my great aunt who lived in the station masters house on a small country station. It was there that I was invited into the station signal box to see the levers and listen to the bell codes. The line was double tracked and at the end of each platform were the signals that governed the passage of the train. Every few miles down the line was another station with a signal box and signals. In those days the mechanical signals were all set at danger and pulled off for a passing train. Some years later the local signal boxes were replaced with power area boxes that controlled the passage of trains in a district. Later still came the color light signals and a change with block signaling where the normal aspect of a signal was green, changing to red when the block ahead is occupied, or amber if the block ahead is clear but the second block ahead is occupied. This was not fully realized by me at the time, as I would stand beside the green signal on a Sunday afternoon train watching for the train that rarely came.

Signaling on model train layouts

As a boy I always imagined a train layout with working signals and how to make that happen. It was obvious to me that running a couple of trains and manually operating the signals on any feasible layout would be highly unlikely verging on the impossible. The layout never came to be, but some years ago I joined the Hi-Rail modular group. Soon I started to think about signalling as my contribution to the layout. Color light signals seemed to be the obvious simplistic approach using a block signal logic. We already had operating accessories that were activated by a passing train but somehow we needed to simulate a section block. I quickly came to the conclusion that to make this happen would need yards and yards of wire, many connectors and a uniform approach to make this work in any layout arrangement. The idea was put aside, until recently.

I was rummaging through some Youtube videos and came across one labeled ‘Automated color light signals on a budget.’  The demonstration looked quite good, no computers and nothing to program, but did not mention the manufacturer of the equipment other than the items were available on Ebay. I followed up with a Google search and found a Chinese company ‘WeHonest’ that has an Ebay catalog featuring parts for multiple scale model railroads. Quite frankly I was not initially enthused about a company with such a name and less so when they advertised O gauge double aspect color light LED signals for the cost of a Starbucks coffee. With little to lose, I ordered a pair of signals. They arrived about ten days later and were made of gray painted brass and came with red and green LED lights already wired and all for $4 each. They looked very fine, so I went to the next level, or how to make them work. The company offers a manual switch to control the signals or a master board for automatic control. The master board is about the size of a pack of cigarettes and comes with an IR detector on a 12″ cord, all for $20. One also needs a power supply with various options such as off the train transformer. I chose the simplest option and that was to buy a small transformer that plugs directly into the master board for $13. I’m sure that one could buy these elsewhere for $5 but they do come with a convenient coaxial plug fit for purpose. The search for the alternate would not be worth my effort. So now I have all the components of a working signal for less than $40. 

Time for a test track and a learning experience. The wires from the signal are very fine and are difficult to secure in the terminal strip on the master board. The IR detector was located in the track and is equipped with a plug to attach to the master board. Pretty darned simple and a test was made resulting in total failure. Oops, one of the signal wires came loose from the terminal strip and this became a recurring problem. OK a simple solution was to make the wire thicker as it attaches to the terminal strip. An improvement was achieved but still a failure in that the green light changed to a permanent red after about one second of turning on the power. I chewed on this for a while until a magic thought came to mind, how about reading the instructions?, 13 pages of them, although not having done this before. In fact in this case only two pages are of significance, 1) a large scale diagram of the master board and 2) the set up for the specific task, i.e., dual aspect signals. Here it is revealed that the master board is the heart of quite a few interesting controls involving train detection. What came to light was that the master board has a bank of eight very small switches that need to be selected in a specific sequence of on and off. I needed a magnifying glass to see this clearly, or that is my excuse. Once set per the directions everything worked fine. The next test was about durability and how long they will work. 

Two modules were equipped with the signals and were ready for the Lynden show. The signals worked fine until the sun shone on the IR detectors and functioning stopped for the rest of the day. It was 88 degrees outside and bright sunshine. The next day all worked well until the sun came in through the windows in the roof of the building. 

For Maple Valley there were no windows in the building roof and the signals worked without a hitch the whole weekend.

The signals work as follows:

  1. The normal setting is green.
  2. A train passing the signal and the IR detector turns off the green light and turns on the red light.
  3. The IR detector recognizes the end of the train and triggers a timer that when run down turns the red light off and the green light on. At the moment the timer is set for 10 seconds which is OK for most purposes.

Master board

The master board can control two, three, or four aspect signals and is the primary control for highway traffic lights, grade crossing signals and more. If so, it’s an ingenious piece of kit. I hope to check that out in the not too distant future.

Ed

Eastside Clinic is Thursday, October 27 at 7pm

Aritcle & Photos By Russ Segner

Our clinic is set for October 27 at 7PM .  It is a Zoom meeting. The link is posted below.

We will take time to discuss what you are modeling, talk about upcoming events and have a clinic.

Our clinic will be about my model of the Coal Creek Lumber Mill which is the major scene on my layout.

Coal Creek Lumber Mill on Russ Segner’s Sn3 layout. It is scratchbuilt using stripwood.

Constructing Coal Creek Lumber Co. Mill

The Coal Creek Lumber Company mill is the major feature of my layout.  It is totally scratch built and was inspired by photographs of a mill in north central California. I drew plans for the structure as well as made drawings for the layout of machinery and lumber handling.

The clinic will discuss my research to accurately model all the associated structures and trackage. So, here is a list of things I will discuss:

  • The prototype
  • The plans
  • The overall mill site
    • Log dump
    • Dam and Pond  
    • Trackage
    • Boiler House
    • Green Chain
    • Dry storage
    • Oil supply track and building
    • Office and dispatch building
  • The mill itself
    • Substructure pilings and floor
    • Roof trusses
    • Walls and windows
    • Interior lighting
    • The dock and loading platforms

Here is the link:

Topic: Eastside Clinic October 27
Time: Oct 27, 2022 07:00 PM Pacific Time (US and Canada)

Join Zoom Meeting
https://us02web.zoom.us/j/88544702474?pwd=L29NdnYzYmJtQi9aVTV5MDhSeU5XQT09

Meeting ID: 885 4470 2474
Passcode: 688172
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Find your local number: https://us02web.zoom.us/u/kpxhGVv3N

Russ

Railroads, Art and American Life presentation at the Northwest Railway Museum

You’re invited to explore the unique relationship between Railroads, Art and American Life on September 17th at 3 pm. Railroads provide us with more than just transportation and art shows. This illustrated presentation begins with historical railroad advertising art to remind us of what we once had and gave up. Contemporary rail art then opens a window on what we have now and/or could have. Presented in partnership with the Pacific Northwest Railway Archives and the Northwest Railway Museum, passengers will begin the round trip experience at the Snoqualmie Depot by climbing aboard historic passenger cars to journey west to the top of Snoqualmie Falls, pausing at the crest for a view of the lower river valley. Returning east to the Railway History Center (RHC) for a visit the Train Shed Exhibit Hall, artist J. Craig Thorpe will present a fascinating look at how Railroads, Art, and American Life impact each other in the past, present and future. After the program passengers will hop back aboard to return to the Snoqualmie Depot. Tickets are available at: TrainMuseum.org.

J. Craig Thorpe is a Seattle-area artist who, over the course of 30 years, has produced paintings and drawings for noted clients such as Amtrak, General Electric, White Pass & Yukon Route, Grand Canyon Railway and other public and private clients. His realist style invites the viewer to ponder the relationship of the railroad to our national landscapes and the common good.

For more information on train schedules, special events and operating hours, visit: TrainMuseum.org or call 425.888.3030.

Peggy Barchi

Snoqualmie Days Festival Returns on Aug 19 & 20

By Peggy Barchi, Education Coordinator

Snoqualmie Days Festival Comes Alive on Friday evening August 19 and ALL day on Saturday August 20! – Come join the fun as the Snoqualmie Days festival returns in all of its full-blown fun this year. Snoqualmie Days (formerly known as Snoqualmie Railroad Days) is the annual celebration of Snoqualmie and the Snoqualmie Valley, its people, and its culture! The festival began in 1939 as a way to raise funds for Snoqualmie’s first fire engine. Since that time, it has grown into a full-blown festival with events and activities for the whole family. So, we invite you to come visit and enjoy the beautiful views of Mount Si and the Snoqualmie River, while enjoying many different activities in the historic downtown area of the city of Snoqualmie. Find out more at: Snoqualmiedays.org

Friday August 19th

  • Historic Snoqualmie Music Crawl, Downtown Snoqualmie, 6pm-11pm

Saturday August 20th

Peggy

David Yadock’s Dry Gulch & Western Update 11

Article & Photos By David Yadock

Dry Gulch & Western, Update 11

It has been a while since my last update.  In this latest edition I’ll show you some of the new scenery that has been added to the Dry Gulch & Western layout.  The alcove portion of the layout was targeted for scenery completion for the National Narrow-Gauge Convention.  The convention will be held in Tacoma on September 1-4 of this year.  My layout is one of many fine local layouts in the area that will be open for tours.  If you haven’t already signed up for the convention, I really do recommend it.  There will be lots of things to see and do.  Here is the link for the convention www.seattlenngc.com , check it out today and sign up!  

I decided to work on this portion of the layout to allow visitors a more complete view of my layout’s mountainous region and attempt to complete the town of Hayes River.  The completed scenery in the alcove also tied together two large sections of the layout that already had scenery in place for a while.  Naturally this is a progress report, some structures still need to be built, but most of the major scenery items are in place.  I will continue to build structures up until the convention.  Hopefully I’ll have all of them in place by September.  Please don’t hold your breath on that one but I will give it my best shot! 

To be a little different than previous updates I’ll show a photo progression of the scenery in this area.  This will give you an idea of all the changes that have occurred over the years and how the scenery has evolved.

Photo 59 is a really old view of the layout looking down the aisle leading to the alcove.  This photo shows the framework and track position.  The photo also shows that the major bridges are being placed in position.  Please note the large mirror in the room corner.  Just a sprinkle of scenery and it is all done!

Photo 59

Photo 60 shows the same general area with the plaster applied.  Application of Hydrocal plaster-soaked paper towels was messy but rewarding.  It gave the general shape of the mountains and topography.  It also reflected the overhead lighting quite well!

Photo 60

Photos 61 and 62 now shows some of the area with varying shades of paint applied to the plaster.  This helped with the general appearance of the layout.  This whole area was left dormant for quite a long time while I was concentrating my time applying scenery to other areas of the layout.  The good thing about holding off with scenery application in this area allowed me to plan the types of terrain that will form the final scenery.  Since I delayed scenery application I was able to re-adjust a critical access hatch.  The hatch was condensed in size and shape.  The retaining mechanism for the hatch was also changed to a simpler system.  By changing the hatch, I gained some space to allow for another siding to be added.  This increased operational capabilities in the small town of Hayes River.

Photo 63 shows the latest version of scenery in this area.  The track has been ballasted, ground cover has been applied, and various trees have been planted.  Yes, structures still need to be built and installed.  In the photo you can see that the town of Hayes River now has a station!  It is the green structure partially hidden behind the rock outcropping.

Photo 63

Photo 64 Is a great view of my version of the Canyon Diablo bridge.  This bridge carries the mainline to the town of Alpine and beyond.  As many of you know my layout is loosely based on the famous Gorre & Daphetid layout that John Allen built.  On John’s layout the bridge was never completed.  Due to the lack of a bridge, he never had a fully operational mainline.  Early on I decided to construct all the bridges so that the mainline would be complete.

Photo 64

Photo 65 This is the view of a completely new hamlet on the layout.  It is called Silver Hill and boasts a small flag stop station and mining operation.  After the convention more structures will be added to this portion of the layout to add visual interest.

Photo 65

Photo 66 is a partial view of the Dry Gulch & Western layout.  This is what the attendees of the National Narrow Gauge convention will be able to see during their visit to my layout.  My layout is only one of the 36 excellent layouts open for tours during the convention.  Everyone in the 4D should take advantage of this convention since it is right in your own backyard.

Photo 66

After the convention I plan on continuing scenery application to other areas of the layout.  My two largest cities are still without structures!  This will be my next targeted area to complete.  I also have a large engine service facility to construct.  So, the future holds many projects that will require my attention.  I hope to see all of you 4D folks at the convention and especially when you visit my layout.

David